Premium Paint - Farrow and Ball

Margo & Plum are proud suppliers of Farrow and Ball paint.

Available in a wide colour palette, the UK’s leading luxury paint brand is renowned for its eco-friendly formulas, high quality ingredients and artisanal methods.

All White No.2005

All White is exactly what it says! Unusually, it contains no other pigment except for white, creating the softest most sympathetic colour without the colder blue undertones of a brilliant white. One of our Contemporary Neutrals, All White pairs seamlessly with Skimming Stone and Strong White for a warm scheme with a slight edge. For […]

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Ammonite No.274

Ammonite is named after the treasured fossils often found on the Dorset coast. It has a fantastically understated quality, and sits effortlessly with our Easy Neutrals. Neither too warm nor too cool, its subtle grey tone creates a hushed and calming feel in homes both old and new. Try pairing with All White to accent […]

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Arsenic No.214

Arsenic has a lively, stimulating feel despite its name being derived from the poison that was rumoured to have been in the wallpaper that poisoned Napoleon after his capture. Its vivid mint colour makes it feel just as at home on contemporary kitchen cabinets, especially when paired with Down Pipe, as it does on the […]

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Ash Grey No.W9

Ash Grey has a relaxed feel that makes it suited to any space, particularly when combined with the slightly warmer Skimmed Milk White on woodwork. For a more modern look, try teaming with a lighter Snow White trim. The underlying green in this shade means that it will appear more intensely coloured in natural daylight […]

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Babouche No.223

Babouche takes its exotic name from the distinctive colour of the leather slippers worn by men in Morocco. It has a cheerful brightness that will intensify when used in large areas, but it is always dignified and never garish. Babouche can be paired with Railings for a very modern but sumptuous effect.

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Ball Green No.75

This muted green is a tribute to Richard Ball, the paint pioneer who first founded our company in Dorset, England with John Farrow. It is an old distemper colour with a more sober, established feel than fresh Cooking Apple Green. It has a magical quality of appearing almost silver in candlelight, so is great for […]

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Bancha No.298

This mid-century modern green is a darker version of the much loved archive colour, Olive. Perfect for those who want to embrace stronger colour in the home, its sober tone creates rooms that feel calm and serene – especially when combined with soft pinks and browns. Named after Japanese tea leaves, Bancha, like a cup […]

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Blackened No.2011

Our coolest white, with the slightest hint of grey, was historically made with the addition of lamp black pigment gathered from the smoke of burning oil lamps. Blackened sits perfectly with each of our Architectural Neutrals for a minimal look or stronger industrial feel. It’s particularly spectacular when used in Full Gloss within stainless steel […]

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Blazer No.212

Blazer is a bright and cheerful vermilion which reads like a cleaner, more contemporary version of Rectory Red. It grabs your attention just like the sports blazers worn at St John’s College, Cambridge after which it was named. Close in colour to orange, this rich hue is both regal and charming.

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Blue Gray No.91

With its subtle mix of blue, green and black pigments, Blue Gray creates the most relaxed of rooms that feel as if they have always been there. It is a cooler, more weathered version of French Gray and has the same almost magical quality of gently shifting between blue and grey depending on the light […]

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Blue Ground No.210

First used as a wallpaper ground colour in our damask collection, Blue Ground creates an upbeat and happy atmosphere which is often used in playrooms as an accent colour alongside Wevet or James White. This clean mid blue tone is both optimistic and friendly, but never cold.

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Bone No.15

A soft grey with a touch of green, this stony neutral is simply named after the colour of bones found in the animal kingdom. Softer than Old White, Bone creates a timeless look suited to halls when combined with Lime White on woodwork. It can also be used to create a feeling of light and […]

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Borrowed Light No.235

Evoking the colour of summer skies, Borrowed Light is a wonderfully pale blue named after the delicate light that cascades through small windows and fanlights. It works as well in a room deprived of light as it does in an airy sunroom. This soft and classic tone is perfectly suited to children’s bedrooms, especially when […]

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Brassica No.271

Brassica’s rich lavender tones feel both feminine and charming in light areas, but become much more sophisticated and grey in darker areas due to an underlying hint of black. Named after the group of plants which includes purple sprouting broccoli, this warm shade lifts cold feeling rooms without being overtly red. It is often combined […]

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Breakfast Room Green No.81

Breakfast Room Green is the most cheerful of all our greens, remaining lively in both bright sunlight or softer candlelight. Named after the usually east facing rooms designed for eating the first meal of the day, it is particularly beautiful in the dawn light. When used alone on both walls and woodwork it becomes incredibly […]

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Brinjal No.222

Brinjal takes its name from the beautifully deep and shiny skin of the aubergine, so it is particularly magnificent in Full Gloss. It can create a warm and highly sophisticated finish when used on all walls, but is more often used as a feature wall to enhance a neutral Skimming Stone scheme or as an […]

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Broccoli Brown No.W108

Broccoli Brown is a quiet dark stone colour that sits effortlessly alongside natural materials such as weathered wood or flagstone floors. Its muted quality makes it ideally suited to studies, where its reserved tone serves as the ideal backdrop, especially when taken over the ceiling as well as the walls.

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Cabbage White No.269

A subtle white with the slightest hint of blue, Cabbage White takes its name from the most delicate of butterflies. This palest of blues is perfect for rooms that go up into the eaves where you want to use just one colour on both walls and ceiling. This colour really comes into its own when […]

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Calamine No.230

Calamine is indeed named after the lotion we all used as children to soothe nettle stings and rashes! A light touch of grey prevents this subtle pink from being too sugary, giving a much fresher finish. In smaller rooms it becomes intense, but in larger well lit rooms it feels much more delicate.

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Calke Green No.34

This rich and traditional green is a cleaned version of a colour originally found in the breakfast room at Calke Abbey. It is best used either on its own on both walls and woodwork, or with a darker neutral like Old White to enhance its deep sage notes. It is particularly suitable for smaller rooms […]

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Calluna No.270

Calluna takes its name from the beautiful heather so prolific across the moors of Scotland. A touch of black ensures that it appears more lilac than pink, making this colour feel both soft and tranquil yet strangely sophisticated. It can be contrasted with sympathetic Great White or used with darker Brassica and Pelt to great […]

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Card Room Green No.79

This dark grey green is named after the study like rooms much favoured in the Victorian period and is unapologetic in its masculine feel. It really comes alive when contrasted with a warm neutral like Off-White or set against the darker Studio Green, but feels more contemporary when used with no contrasts at all.

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Charleston Gray No.243

A warm and muted grey, Charleston Gray is named after the much loved home of the equally artistic and intellectual Bloomsbury Group in West Sussex. Very popular for use in modern living rooms, its brown undertones create a warm, enveloping and hushed atmosphere. It is the perfect accent colour for all the warm Contemporary Neutrals […]

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Charlotte’s Locks No.268

Charlotte’s Locks takes its inspiration from the flame red hair of our Head of Creative and brings a playful late 1970s look. This deep and dramatic orange is particularly spectacular when used in small areas with a sharp contrast either in All White or Black Blue – for the very brave, do try in Full […]

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